The Gallery
29/11/18–19/01/19

I felt like the sound of a harp

Laura Phillips

Laura Phillips - install 11
I FELT LIKE THE SOUND OF A HARP, Laura Phillips (2018) Photo credit: Andy Ford

For Phillips' inaugural solo show, the artist presented a new body of work which takes its impetus from a building in Bristol, which from 1799-1802 was a medical research facility known as The Pneumatic Institute.

During this time, eminent chemist Humphry Davy (1788-1829) studied the medical effects of recently discovered gases including nitrous oxide, and devised experiments examining the effects of laughing gas on himself and others. The title to the exhibition refers to an anecdote from Davy’s patient whilst under the influence of the drug and his struggle to articulate the new forms of sensation induced by the gas.

Phillip’s work derived from research into The Pneumatic Institute evokes stories and imagery about dissociative states, elements of precarity and invisible forces depicted through a nonlinear auratic story. Phillips draws parallels to Davy’s pursuits to harness and exploit these newly discovered invisible gases, through the use of photochemical processes in a series of fabric banner works and 16mm film.

Laura Phillips - install 13
I FELT LIKE THE SOUND OF A HARP, Laura Phillips (2018) Photo credit: Andy Ford
Laura Phillips PV - 1
Laura Phillips - Install 32
I FELT LIKE THE SOUND OF A HARP, Laura Phillips (2018) Photo credit: Andy Ford

The soundtrack to the film, comprises snippets of conversations with a pensioner recalling her experiences of living in the house (formerly The Institute) during World War Two; and is collaged with an improvised score from Phillips’ adjunct practice playing as part of the experimental improv ensemble Viridian. The third sound element is a digital field recording from club and rave nights in Bristol; a subculture that has increased nitrous oxide popularity as a recreational choice. A reappearing motif in the work is the ‘damask’ and ‘moire’ patterns, a visual reference point reflecting on visual perception; and is also a nod to The Yellow Wallpaper a short story by Charlotte Perkins Gilman about perception, madness and the search for identity.

These layered references alongside methods of collage creates a melancholic narrative that blends both historical time spans and ideas about alternative states of being.

The exhibition was part of the South West Showcase, a recurring open call platform (est 2013), showcasing artists from across the South West region. The showcase aims to support contemporary artists working and living in the South West through a year long programme of mentoring and support with an exhibition outcome; presenting a long-term commitment to profiling and supporting the practices of artists in this region.

www.lauraphillips86.co.uk

Laura Phillips - install 13
I FELT LIKE THE SOUND OF A HARP, Laura Phillips (2018) Photo credit: Andy Ford
Laura Phillips - install 11
I FELT LIKE THE SOUND OF A HARP, Laura Phillips (2018) Photo credit: Andy Ford
Laura Phillips - Install 26
I FELT LIKE THE SOUND OF A HARP, Laura Phillips (2018) Photo credit: Andy Ford
Laura Phillips - Install 27
I FELT LIKE THE SOUND OF A HARP, Laura Phillips (2018) Photo credit: Andy Ford