Writing
Here you will find different types of writing including commissioned texts, exhibition reviews, student blogs and much more!
A Discussion Between Artist Jo Lathwood and Curator Hannah Rose
Jo Lathwood
A Discussion Between Artist Laura Porter And Student Pollyanna Hughes
Laura Porter
Ahead of the opening for Vessel, Laura Porter discussed her latest work for MIRROR, her practice, and gave insights into how the series of sculptural works came together through an exploration of the body, objects and spaces as vessels.
A SERIES OF HARMONIOUS SEPARATIONS: A REVIEW OF LAURA PHILLIPS' SOLO SHOW
Megan Williams
‘I felt like the sound of a harp’ is a bright and sensory exhibition of work by laura phillips. It is made up of lively fabric banners and a three-channel-film that features textures, symbols and historical footage that tells the story of an institute where laughing gas had once been tested.
Abigail Reynolds: The British Countryside in Pictures
Martin Clark
What ben makes track for what wil be. Words in the air pirnt foot steps on the groun for us to put our feet in to.
Riddley Walker, Russell Hoban, 1980
Abigail Reynolds: ‘New Light’
Simon Bayliss
Kenneth Noland’s vivid hard-edge paintings are inherently optimistic as visions for the future; ‘New Light’ is a painting by Noland and also a recent work by Abigail Reynolds.
Bryony Gillard: In the boom of the tingling strings
Simon Bayliss
Permitting an audience to observe you rehearsing is an act of generosity, because this self-conscious pursuit is usually done in private.
Eleanor Duffin: A Phantom Limb
Lauren Houlten
‘Nothing starts at the beginning, not really’, opens B. Ruby Rich’s New Queer Cinema (2013).
Hannah James: The outline seems indelible
Simon Bayliss
The soothing voice of the artist emanates from the corner behind the entrance, gently appointing the parameters of the space with sound.