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Q&A
Published 13/11/23

A Discussion Between Artist Jo Lathwood and Curator Hannah Rose

Jo Lathwood

Review
Published 29/11/18

A SERIES OF HARMONIOUS SEPARATIONS: A REVIEW OF LAURA PHILLIPS' SOLO SHOW

Megan Williams

‘I felt like the sound of a harp’ is a bright and sensory exhibition of work by laura phillips. It is made up of lively fabric banners and a three-channel-film that features textures, symbols and historical footage that tells the story of an institute where laughing gas had once been tested.

Commissioned text
Published 11/03/13

Abigail Reynolds: The British Countryside in Pictures

Martin Clark

What ben makes track for what wil be. Words in the air pirnt foot steps on the groun for us to put our feet in to.
Riddley Walker, Russell Hoban, 1980

Commissioned text
Published 11/03/13

Abigail Reynolds: ‘New Light’

Simon Bayliss

Kenneth Noland’s vivid hard-edge paintings are inherently optimistic as visions for the future; ‘New Light’ is a painting by Noland and also a recent work by Abigail Reynolds.

Commissioned text
Published 15/04/13

Bryony Gillard: In the boom of the tingling strings

Simon Bayliss

Permitting an audience to observe you rehearsing is an act of generosity, because this self-conscious pursuit is usually done in private.

Commissioned text
Published 21/02/20

Eleanor Duffin: A Phantom Limb

Lauren Houlten

‘Nothing starts at the beginning, not really’, opens B. Ruby Rich’s New Queer Cinema (2013).

Commissioned text
Published 01/03/13

Hannah James: The outline seems indelible

Simon Bayliss

The soothing voice of the artist emanates from the corner behind the entrance, gently appointing the parameters of the space with sound.

Commissioned text
Published 29/11/18

I FELT LIKE THE SOUND OF A HARP

LIZZIE LLOYD

On my first meeting with Laura Phillips she invites me to her studio in the centre of Bristol, her hometown.